At the edge of the precipice again

[content warning: misery]


In a few days time, I’ll take the last anti-depressant pill that I’ll ever take. That’s the plan. After 18 years, I have little knowledge of what I’m like as an adult without that chemical intervention, but what I do know is terrifying. I’ve dipped my toe in that cold water a handful of times, each time recoiling after several months because of suffering that wasn’t merely debilitating but outright cognitively intolerable. The difference is that this time I’m going into it very intentionally, gradually, with no expectation that it will be OK, as opposed to whimsically abandoning my medicine in the wake of a positive circumstantial happenstance (such as falling in love – bleurgh!). This time I’ve written notes to my future self, which will be lifelines when I’ve lost my grip on reality. One of my notes simply says: WRITE.

So I’m starting now, before I go over the edge. I predict from experience that in some months’ time I’ll be looking back on these weeks where I experienced sorrow, anger, frustration and being a twat to people, and miss the richness of that humanity. At some point my emotions will be simplified into a binary distinction: fear and hope, with hope shrinking to a tiny, bright speck on the horizon and fear loitering as a heavy black cloud over everything else, billowing all over my inside surfaces, following me into every chamber of my mind to poison my memories and beliefs.

Why would I embark on this dark plunge just in time for the coming of winter? I don’t know…there’s a harmony to it. My usually-bleak January will be one of the bleakest ever, but who knows, I might discover a new self with the coming of spring and its healing powers.

I’m doing this publicly because I hope some people will find it useful or fascinating to observe my misery, and also because I want to feel held accountable for my intention to WRITE. I have been known to scribble occasional humorous poems about dr*gs, consciousness and suffering…

So let’s see where this goes!

Post script… while exploring my options in WordPress before hitting the ‘publish’ button, I clicked on the ‘AI assistant’ option which can “check for mistakes and verify the tone of your post before publishing”. How could I resist? This is what it came up with.

As someone who’s childishly excited by Large Language Model driven text generation, I felt an emotional thrill as I saw this response appear before my eyes. (I wonder whether I’ll remain capable of experiencing this thrill over the coming months? In my experience my curiosity is one of the last pillars to fall, along with my dark sense of humour.) To witness an inanimate system display nuanced comprehension skills on something I wrote is a strange new feeling – especially when it’s something personal which I wrote through gritted teeth and just threw out there into the world. I’m definitely going to be doing some fun experiments to test the limits of this tool with creative writing.

Anyway, addressing the WordPress bot’s suggestion that I add more information, I should make it quite clear, if I haven’t already, that I highly disrecommend quitting antidepressants suddenly or without telling anyone that’s what you’re doing. It’s especially important with Venlafaxine to taper off gradually, because its half life is so short and its withdrawal effects can be particularly severe (and weird).

It’s also my opinion that if you start antidepressants your doctor should help you form a plan to get off them. When I was first trying to persuade those around me that antidepressants were the right thing for me, I claimed that they would be like footholds to help me get out of a deep well. It was a persuasive metaphor, but all it really meant was that I hoped I’d get better. I had not the slightest plan beyond being medicated, or a vision of what a better me would mean besides feeling less pain. Over the years I began to recite the platitude that “antidepressants are like insulin for a diabetic person”, and when I said it people nodded and didn’t argue, and I also nodded firmly and sympathetically when others said it to me about their own antidepressant use. But I no longer believe it’s a helpful analogy. I’m starting to strongly believe that nobody needs to expect to be depressive forever. We’ve been sold the notion that depression is a chemical imbalance in the brain, and it makes sense at least in so far as the medication makes depressed people less depressed. But even if it is an accurate description of a depressed brain, the chemical imbalance theory doesn’t get to the root of the problem.

I believed for years that I was just one of the unlucky ones, that I had popped out with a genetic disadvantage which I had to accept. (This was slightly more progressive and enlightened than what I might have believed, which was that depression was a sin and that God would be cross with me for not being more grateful.) If you asked me now what I think depression is, I’d call it a maladaptation. Our bodies have the ability to depress themselves, and this can be useful, but for reasons which often may involve early damage as well as how different our modern lives are from the environments in which we evolved, many of us get stuck in ongoing states of suppression and worry.

These are my opinions based on personal experience and what I’ve read. I felt prompted by the WordPress bot to give advice, but the best thing I can really do is document my progress as I go forward. I’ve always wanted to be useful, and by twists of fate, it turns out that my special area of expertise is in being miserable. “If nothing else, I can at least serve as a bad example”, is what it says on a fridge magnet I had.

I was 11 or 12 when one of my teachers took me aside to talk about a self-assessment I’d written about how I was doing at school. “It’s very witty and amusing”, she said, “but I’m concerned that you say you’re depressed”. I can’t remember what I’d written, and I wish I could say that it was the same piece of work where I’d written the title in big bubble writing, and because each letter took so long to write I accidentally wrote ‘ASSMENT’. But that was a completely different time.

The memory springs to mind now, because I’m aware of how important it must have been then and still is, for me to make people laugh about my suffering. If I start to utter a theory about it, I’m taking us a bit further away from the truth. So please take my blog posts as the ramblings that they are, and add as much or as little salt as you like.

To conclude, here is the WordPress AI assistant’s latest ASSMENT of my updated essay, which incorporates a reference to itself, encourages the author to elaborate upon several points, and reiterates its recommendation that I recommend seeking professional recommendations.


An interview in ‘INTERVIEWING ART’

Apparently I forgot to share this at the time. I answered some questions for the webzine ‘INTERVIEWING ART‘ in May 2022.

‘Chatting with the multi-platform model – Rebecca Tun’

I’ll copy and paste the text here, for posterity. 🙂

How did you first get started in modelling?

I started doing some life modelling while I was at university. I’d noticed an ad in an art shop window looking for life models, and I thought, “Hey, I could do that!”.

What came first, life or photo modelling? Do you remember what your first session was like, and how did you feel?

I wasn’t at all nervous about the nudity; I was excited about the pictures. I remember the artists complimenting me on my poses about how still I was and that I’d chosen complex, dynamic positions.

How/When did OnlyFans and Patreon come about?

I started Patreon and OnlyFans in 2018, having been aware of them for a year or so, I decided to take the plunge and explore a new avenue. I’ve always enjoyed the curation and presentation side of online work, so I was excited to cultivate a special place to showcase my work. When I met my partner in 2019, we started a couples account, Pelegia with a Hard G. It felt like such a natural thing to do as we were producing spontaneous homemade adult content that just seemed too beautiful not to share somewhere. OnlyFans was the obvious place to do this, a space where I already felt safe to experiment and explore my individuality in front of a niche audience.

…and would you recommend either to other models and why?

I would recommend models have a presence on one or both. Firstly there’s the extra income. Secondly, it’s a way to share content that you can’t or choose not to share on social media, and this privacy allows you the freedom to experiment. Unfortunately, I can’t advise how to make the big bucks – that takes a specific skill set that I don’t have.

If you were only to be captured in one medium (painted, drawn, photographed), which one would it be and why?

Photography as that’s the most versatile and allows me the most creativity, input and productivity. I enjoy being painted and drawn, but my input in that medium is smaller.

What is the best part of modelling?

My favourite part of modelling is the pictures. I love the visual arts; taking part in the process of creating images with other people – it nourishes my soul.

…and the worst?

The aspect of my job that I find the most difficult is admin. I have a phobia of messages, so this is the biggest thing I have to overcome.

Can you tell me the most challenging pose you have had to hold?

I posed for my Mum, the sculptor Anna Weightman. It’s a reclining pose, where I’m propped up on my elbows as though reading a book or gazing into a pool, and there’s a big twist in my middle. It’s not a very realistic pose, but the rear curves look great. I held that pose for hours over multiple sessions. In hindsight, we should have made it more realistic and less painful (elbows apart and hands together would have helped and a knee forward for balance).

…and the easiest?

None of my poses stays easy for long, but being seated with my legs apart is pretty comfortable.

How has the COVID pandemic affected your modelling, and how have you overcome it?

Modelling work dried up completely during the lockdowns, and unfortunately, I never managed to get into remote modelling, even though I wanted to, because I lacked the space. Fortunately, my partner is a photographer, and we were creating content for our fan sites. The pandemic was a time when many creatives turned to OnlyFans and similar sites as a source of income.

When you are not modelling, what do you like to get up to?

I enjoy photography myself and image editing. I’m also into fashion, and I also save money by shopping second-hand. Right now, I’m busily databasing all of my garments in an app, and it’s going to take a while!

Thank you for giving us an insight into your life; what’s in store for the future?

My dream is to own a studio space one day, a place where I and other creatives can fulfil our visions. I would use it for many things – shoots, workshops, remote shoots, producing my own content, maybe even life drawing.

If one of your friends wanted to start life modelling, what advice would you give them to avoid beginner mistakes?

I’d put them in touch with someone I know who runs a class, or, if they didn’t live near any of those people, I’d recommend they join RAM. During life modelling, I think the most important thing is to pick poses that you can hold with minimal discomfort, but this takes practice, and discomfort is inevitable, so don’t be too shy to stop for a stretch. The artists will completely understand.


I’ve hatched

Trauma, depression, narcissism and growing up

I was a precocious child, but I’ve been slow to bloom as an adult.

Continue reading

Left-handedness and my discombobulation

I recently had a very odd and profound experience, which I won’t go into yet. It led to a powerful intuition that my left-handedness was related to my long and delayed circadian cycle. I Googled this and immediately saw multiple articles saying there is a correlation!

Continue reading

‘Representing’ – an interview in ‘Modelographers’

Here’s my interview with Modelographers blogger Zach 😊

The Modelographers

Rebecca Tun went from philosophy and linguistics to nude modeling

University drove photographer and model Rebecca Tun “batshit miserable.”

“While I was at university, I saw an ad in an art shop window calling for life models. I thought ‘Hey, I could do that!’ I was 19. I remember that night doing a backbend in my bedroom and enjoying how graceful I felt making a new shape.”

Tun studied philosophy and linguistics at Cambridge. At first, nude modeling was something Tun dabbled in to escape academia. Now she sees a more prescient connection between her initial studies and what’s become the primary focus, her art.

“My trajectory from philosophy and linguistics to nude modelling seemed like a jump but as I mature, they seem more and more connected,” Tun says in an email interview. “It’s just that I’ve gone from obsessing over sentences, statements and propositions to obsessing over pictures…

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A VESSEL OF EXPRESSION FOR UNSUNG HEROES

Kaeemae’s words here are relatable. The quietly influential role of the intuitive model… 🙂
“My favorite way to work is for a photographer to explain what they are going for and I interpret and deliver just that. I have never not delivered as I always know what my clients want, even if they don’t!

“When I’m trusted and with little direction I work best because that’s when my own creativity kicks in,” she continues. “When I’m rigidly directed, I become frustrated easily and lose the excitement for the job. A lot of the times when I’m heavily directed, I’ll get into a pose nonchalantly in between takes and wait for the photographer to notice. They always do and that shot tends to be in the final selection.”

The Modelographers

Kae uses her body to celebrate and encourage femininity, blackness

Kae is tired of women of color being told they’re either “not enough,” or “too much.”

“A lot of what I do is to celebrate the unsung heroes . . . who are the source of creativity, expression and love in untold forms,” Kae says in an email interview.

While studying dance in college, Kae discovered how to use her body as a form of expression. She realized, “I could never be delicate or graceful, everything in me was raw passion and emotion.”

Photo by shotbymiah

With a K cup size, Kae is very familiar with objectification and body shame.

“Funnily enough, having big breasts since the age of 11 has forced me to deal with being objectified for a long time,” she explains. “As you can imagine, I went through the stages of trying to hide my body, wearing…

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September Spirit

So…earlier today I was just fiddling around with some apps while looking for a way to censor the nipples in a photo for social media, and ended up doing something completely different.

The original image was this:

I just couldn’t seem to find a single satisfactory way to censor the nipples, but I followed my instincts down a different route. On one smartphone, I restructured the image in MirrorLab and spruced it up a little in Snapseed, then on another smartphone (which I only use for editing) I painted and styled it in iColorama, and lastly on the computer I retouched it and repainted the facial features in Photoshop.

I’m glad I give myself space for spontaneous productivity, because sometimes the urge takes hold of me (in fact it is often born of frustration) and I follow it down a rapid, entirely novel stream.

I didn’t have a plan at all for the end result, but at some point I caught distinct Art Nouveau vibes and took it in that direction. What do you think?

You could buy this picture on a print or some other fun objects on my Redbubble.

See more of my digital dabblings including nudes and erotics on my Patreon.


An evil flower of nothingness

“Beauty is a precarious trace that eternity causes to appear to us and that it takes away from us. A manifestation of eternity, and a sign of death as well. Often it seems to me to be an evil flower of nothingness, or else the cry of the world as it dies, or a desperate, sumptuous prayer.” – Eugene Ionesco

“The beauty of the world which is so soon to perish, has two edges, one of laughter, one of anguish, cutting the heart asunder.” – Virginia Woolf, A Room of One’s Own

I learned a lot editing these photos. Creating a matching set of images isn’t easy, and it’s a particularly interesting challenge when the photos are like these. They’re warm yet cold, crisp yet dreamy, pallid and wintery but with hot flushes…and they contain forbidden heavenly artefacts such as lens flare and dramatically blown out highlights. Is it winter or spring? Their strangeness meant they had that ‘wow’ factor straight out of camera. But upon editing, the complex tangle of contrasts had to be teased apart step by step in more ways than weren’t immediately obvious. I definitely had to come back to them at different stages; I would revisit an image I’d ‘finished’ before and think “what on earth was I thinking?”

With photography we attempt to make beauty static…

But beauty itself is a memento mori…

The eyes of the heart do not have eyelids…

Photos by Gerard Chillcott, styled and edited by me – January 2021.

This isn’t all! You will be eventually able to see rest of this set on my Patreon, including up to erotic nudes, over the coming weeks.


the magic of Autumn

Here are some images from one occasion in November when Gerard and I ventured into the woods to explore the mysterious magic of autumn.

For me autumn has a power like that of spring – a painful magic that awakens memories of previous cycles in a way that only reality (as opposed to imagination) can. Unlike summer and winter which invite me to forget, autumn and spring invite me to remember. These images convey many different feelings, as I try to hold onto life before the plunge into winter…

~

By the way, these images are available to buy as prints, postcards and some other slightly silly things from Redbubble. Just follow the link in each image caption. Or check out the collection here. 🙂


‘By / Product’ art nude book by Mike Nicoll

New art book alert!

Do you collect art books?

I’m on lots of pages in Mike Nicoll’s new book ‘By / Product‘.  How many times can you spot me? I’m honoured to be depicted there alongside many fantastically expressive models photographed in Mike’s characteristically dramatic style with motion blur creating sensuous, ephemeral dark moods.