I would simply like to make the following casual comparison observation regarding two different photo composites by different photographers at different times.
These are ‘Blue Moon’ by Max Operandi, 2012, and ‘Moon Worship’ by Thornback, 2014.
I suppose I’m happy to be typecast as the disembodied melancholy blue bottom.
‘Moon Worship’ (c) Thornback, 2014
‘Blue Moon’ (c) Max Operandi, 2012
…this article by Sinclair Gordon talks about Andy Green’s fantasy and location photography. I appear here in some of Andy’s most recent (2014) work: ‘MAIDEN GUARD’, ‘NETS AND SHADOWS’, and my own favourite ‘NOR TODAY MR WOLF’ [sic – let’s assume the wolf had been pestering me on more than one occasion], as well as many of my esteemed model peers such as Ivory Flame, Raphaella, Ella Rose and Roswell Ivory, to mention just a few. Continue reading
there was a sprawling, semi-underground, tarpaulin-covered, semi-man-made structure set upon a dramatically undulating terrian flowing with rapid bluish green river water that had many smooth boulders in its bed as was evident from the numerous humps that it swished over, spitting only slightly. Continue reading
i had a very clear idea of what i wanted the software to do – the architects’ software that would enable me to design the world’s greatest swimming pool. it was more than a swimming pool actually; it was to be a sprawling, endless network of curvilinear waterway tunnels, circular halls, enclaves, coves, caves, caverns, cascades, chutes, falls and flumes; a vast, intricate complex of diverse spaces and environments, mostly indoors and dark like a cinema or a nightclub, although there would be airier, daylight-filled spaces to be discovered unpredictably throughout the way. it would have environments to appeal to people of all ages and temperaments, different spaces and modes for every mood. Continue reading
…a few months ago, someone asked me on Tumblr if there were any recording of my voice, and I said there was going to be an recorded interview coming up. Well, here it is! I’m not going to listen to it, but you can.
“Rebecca discusses acknowledging and embracing the sexual aspects of her imagery, nude and fetish modeling, collaborating with model Gestalta, wanting to be a character actor, short films and music videos as a revealing medium of self-expression, the unique perspective she brings to her photography, body awareness and modeling outdoors.”
Now this is interesting…to me, and really only because someone quoted a line from one of my interviews on a random topic, which technically makes me a cited philosopher now, doesn’t it? So I can give myself a pat on the head for that. Belle and Sebastian released a song called ‘Suicide Girl’, and SuicideGirls made a music video for the song. One Jim Williams of Kentucky* shared the video and said the following: “This video is described as a “Suicide Girls love letter to Belle and Sebastian”, and yet, presumably, Stuart work mark it ‘Return to Sender’. Stuart’s lyric for ‘Suicide Girl’ is not condemnatory, but it certainly expresses regret regarding the girl who “gives it all away”. The idea that the Suicide Girls phenomenon appeals to a “radical side” is of course ridiculous. Pornography is what it is – it’s neither radical nor conservative. That said, I’m not convinced that a woman loses anything by being paid to be filmed naked. And nor is artist, model and photographer, Rebecca Tun, who sums up this patronising, reductionist view as follows: “an unconscious line of reasoning [that runs] a bit like this: women revealing their bodies is a sexual act; female sexual activity consists of giving something away as if it were a finite commodity (it can after all be bought). Therefore when a woman reveals her body she’s giving something away, somehow decreasing the value of her assets.” For my part, the last woman I met who was ‘wrapped up in books’ (which included Nadine Strossen’s ‘In Defence of Pornography’ and Avedon Carol’s ‘Nudes, Prudes and Attitudes: Pornography and Censorship’) was also frequently ‘unwrapped’, in both pornographic magazines and lovers’ rooms. No fantasy affairs – she dared to get wet, so to speak.” I don’t have anything to add to the discussion at the moment. I think Jim hit the nail on the head in describing the attitude in question as both ‘patronizing’ and ‘reductionist’. *correction: Jim of Stafford, Staffordshire, and not Staffordsville, Kentucky 🙂
As my recent fleeting visit to Blighty drew to a close, I had a whim – to suggest to my mother that we make a plaster cast of my rear end. For posterity, if you like. It was an experiment, and a success. It took three attempts. We learned a few things about plaster and bottoms. Anna Tun generally works in clay to cast in bronze. I’m in the early stages of putting together a new blog for her work. Continue reading
…this diptych has been getting some attention recently: “self portrait IV – in which the model takes a self-portrait” – one of the very few self-portraits I ever attempted. A number of people have asked me why I don’t do self portraits habitually, being both a model and a photog. The simple answer is I don’t really know how to point the camera in the right direction or focus correctly. I have seen some amazingly impressive, immaculately styled and conceptualized selfie projects by profesh models, and I think in future I will leave it to the experts. I’m pretty much the one person in the world whom I’m NOT in a good position to take a picture of, logistically speaking. I hope that answers the question.