“The character in Anonymous, LA, 2009 is both present and theatrical, instantly causing one to question the reality and fantasy present in the image. This boundary between the two worlds of fiction and non-fiction has been a longstanding division for the photographic medium, and Grannan’s Boulevard only blurs this line further. The staging of the whitewashed walls, masterful lighting, and expressive, yet controlled faces only go to create more of a collapse between the individual and the character portrayed in each image. This affect is stunning and complex, directing the viewer to question the role of the artist in the individual’s narrative.”
Available in: NOOK Book (eBook). A Visby, sull’isola svedese di Gotland, è una serata speciale. Politici, industriali, artisti locali e persino qualche vip: tutti i membri più in vista della comunità sono int
My first book cover! My picture of my sister is on an Italian novel – L’angelo nero by Mari Jungstedt.
Afraid that our inner light will be extinguished or our inner darkness exposed, we hide our true identities from each other. In the process, we become separated from our own souls. We end up living divided lives, so far removed from the truth we hold within that we cannot know the “integrity that comes from being what you are.
(c) Rebecca Tun . Cambridge, UK . November 2012
(c) Rebecca Imogen Tun . model: Vincent Littlehat . Berlin, Germany . May 2013
(c) Klaus P. Grabner . Luzern, Switzerland
(c) Rebecca Imogen Tun . Cambridge, UK . July 2013
(c) Klaus P. Grabner . Luzern, Switzerland
(c) Rebecca Imogen Tun . Cambridge, UK . July 2013
(c) Rebecca Tun . Cambridge, UK . October 2012
(c) Rebecca Imogen Tun and Vincent Littlehat . models: the same . Berlin, Germany . May 2013
(c) Rebecca Imogen Tun . model: Vincent Littlehat . Berlin, Germany . May 2013
Tom DiMaggio . Luxembourg . February 2013
(c) Rebecca Tun . Cambridge, UK . October 2012
(c) Rebecca Imogen Tun . model: Vincent Littlehat . Berlin, Germany . May 2013
(c) Tim Phillips . in the fridge . Cambridge . December 2011
(c) Klaus P. Grabner . Luzern, Switzerland
(c) Rebecca Imogen Tun . model: Vincent Littlehat . Berlin, Germany . May 2013
(c) art of dan . Amriswel, Switzerland
(c) Rebecca Tun / self portrait IV – in which the model takes a self-portrait
(c) Rebecca Imogen Tun . Cambridge, UK . July 2013
(c) Fabien Queloz . Neuchatel, Switzerland
(c) Rebecca Imogen Tun . Cambridge, UK . July 2013
(c) Rebecca Imogen Tun . Cambridge, UK . July 2013
(c) Rebecca Imogen Tun . model: Vincent Littlehat . Berlin, Germany . May 2013
(c) Rebecca Imogen Tun . model: Vincent Littlehat . Berlin, Germany . May 2013
(c) Rebecca Imogen Tun and Vincent Littlehat . models: the same . Berlin, Germany . May 2013
(c) Rebecca Imogen Tun . Cambridge, UK . July 2013
(c) Bragi Kort . Iceland . October 2013
(c) Rebecca Tun . Cambridge, UK . October 2012
Tom DiMaggio . Luxembourg . February 2013
(c) Rebecca Imogen Tun . Cambridge, UK . July 2013
(c) Rebecca Tun . Cambridge, UK . October 2012
(c) Rebecca Tun . Cambridge, UK . October 2012
(c) Rebecca Tun . Cambridge, UK . October 2012
(c) Rebecca Imogen Tun . model: Vincent Littlehat . Berlin, Germany . May 2013
Tom DiMaggio . Luxembourg . February 2013
Tom DiMaggio . Luxembourg . February 2013
(c) art of dan . Amriswel, Switzerland
(c) art of dan . Amriswel, Switzerland
(c) Rebecca Imogen Tun and Vincent Littlehat . models: the same . Berlin, Germany . May 2013
© Vanessa Mills | model Rebecca Tun | October 2011